What music did you grow up listening to?

My earliest music experience were hymns, sung to the organ, at the Community Presbyterian Church in Oakland. The old church was located across the street from the Washington School, and the organ was probably operated by foot pedal. My favorite hymns were “Jesus Loves Me” and “The Old Rugged Cross.” I memorized first verses of dozens of hymns from repetition in our services.
My parents both liked to sing at home. Dad sang western songs and Mother preferred old favorites. My favorite that Mother sang was, “You Are My Sunshine” and my favorite of Dad’s was, “Down in the Valley.” Mother did not have an ear for musical intervals and could not sing on key. She was aware of this problem and refused to let that stop her from singing. Dad had more of an ear for music and was able to sing melody a cappella. Neither of my parents learned to read music, but they wanted us to perform music, and they encouraged individual music lessons as well as participation in school band.
We had a phonograph that stood near the front door in our living room. Our phonograph was inside a tall oak cabinet and was powered by an electric motor, although it looked like the older wind-up phonographs. It played 78 rpm records and my parents had a small collection of popular music from the 30s and 40s.
I began accordion lessons with next-door neighbors Susan and Sandy Monett when we were first-grade age. Playing accordion required learning to read both treble and bass clef. Like piano, accordion helps a lot with developing an ear for musical notes, chords, and keys. As I learned to play my child-size accordion, I fixated on marches. To the consternation of my teachers, I wanted to learn only marches by John Phillip Sousa. My favorites were the “The Stars and Strips Forever” and “The Washington Post.” Sousa’s marches were written to be performed by marching bands; and it was challenging to do justice to them on the accordion.
Not long after broadcast TV reached Roseburg in 1956, a repeater was setup on a nearby mountain. The Monetts got a TV and ours was close behind. Music was part of the joy of TV and Lawrence Welk provided much of that music. I was especially attentive to Myron Floren, the accordion player. He stood still and mostly looked right at the camera with a pleasant smile. My favorite music from the Lawrence Welk show were the polkas, which usually featured Myron Floren’s accordion. Sadly for my parents, who had invested a lot in an accordion and lessons, my interest waned as popular music gained my attention.
Elvis Presley burst into youth music in 1956. I best remember his early hits “Blue Suede Shoes” and “Hound Dog.” His on-stage gyrations inspired an uproar; he was roundly condemned by the religious and criticized by the respectable press. The early Rock & Roll icon, he became a symbol of moral degeneration. I thought all this exaggerated criticism was unfair and imagined that it would only increase his popularity with youth. I didn’t realize that Elvis suffered from the criticism, especially when it came from religious figures.
Elvis still holds the record for most career music sales; a multitude of his tunes topped the charts. My favorite ballad: “Can’t Help Falling in Love,” favorite rock & roll: “All Shook Up,” favorite blues: “Heartbreak Hotel,” and favorite gospel: “How Great Thou Art.” I listened to many other Rock & Roll artists but Elvis was King of the 50s.
By age 11, I wanted to be more of a part of the action at my school. I stopped playing accordion and took up the trumpet in school band. We purchased my trumpet from neighbor and playmate, John Wilcox, who decided he had outgrown the band.
I eventually played trumpet in concert, marching, pep and stage bands. Stage band became my favorite, as the music was more contemporary and lyrical and the band was small — I could actually hear myself. The best show was “Annie, Get Your Gun,” an elaborate production for a small school. I was at the height of my trumpet prowess that year, and Greg Vasche was too busy playing basketball to bump me to second chair position.
In the 50s and 60s we listened to daytime music on KYES “Nifty 950 AM” in Roseburg. KYES went off-air each night at 6PM because KJR Seattle had first rights to broadcast on 950 KHz and the AM radio signal will sometimes travel hundreds of miles at night. KJR had better programming than KYES and reception was rarely great, usually awful. We could more reliably tune in KISN AM Portland for an evening of popular Rock & Roll.
When I first heard the Beatles playing “I Want to Hold Your Hand,” I was captivated. Their Liverpool blend of melody, vocal harmony, and an unusual guitar sound with a Rock & Roll beat was familiar, yet different enough to stand out. Their lyrics were mostly simple and easily remembered — which worked in their favor.
On TV, the Beatles appeared with clean-cut hair, matching outfits and a high-energy stage presence that drove the teenage girls mad. The year of hold your hand, I went with Erline to represent our school on TV at Dick Booth’s Teen Date. Erline was my continual growing-up heart throb — the one that I was too shy to pursue before and after that one Teen Date.
Eddie, Greg and I had played together in school band for years and we more or less jointly decided to play Rock & Roll. I took guitar lessons at Ricketts Music store in Roseburg and learned simple barred chords and a western dance hall style of playing that really wasn’t suitable for Rock & Roll. To advance myself, I decided to teach myself the Ventures instrumental style, which had become popular and seemed eminently easier than Beatles arrangements — which required singing in parts. My interest in the Ventures morphed into a fascination with the surfing sound of the Beach Boys. Unfortunately, Eddie, Greg and I could barely play our instruments, let alone play and sing in close harmonies composed by Brian Wilson of the Beach Boys.
We capped our career as a 3-boy band by capturing the grand prize at the 1965 talent contest at Oakland High School. Better for us that we were mediocre at Rock & Roll because we needed to apply ourselves as all three of us wound up at Oregon State University the next year.